Wednesday, February 26, 2014

THE EQUINOX 2nd Edition with Great Old Ones Publishing



Great Old Ones Publishing
RELEASES 2nd Edition Print of MJ PRESTON’s THE EQUINOX  
Statement from Author MJ Preston

Although I did announce previously that I had signed with Great old Ones Publishing to represent my debut Novel THE EQUINOX I was somewhat premature regarding the publication date. So, with that said I would like to formally announce that the 2nd Edition print of THE EQUINOX is now available through Great Old Ones Publishing. I am very happy to be affiliated with this small press and trust they will represent my work with zeal and dedication.

For those of you interested as to what the 2nd edition has to offer. Well first and foremost, there is a great Foreword penned by Dark Discussions Host/Founder Philip Perron. That alone should spark your interest, because Phil Perron is an extremely knowledgeable passionate individual who takes horror very seriously.  Along with that I’ve inserted a Table of Contents and written a short Afterword as well outlining a bit about the creative journey that led to writing this book. And finally, the new cover art of which I am very proud. Not only does it better represent the North and Chocktee, but the Skin-walker aka Skin is emblazoned on the back; in all his visceral rotted glory.

If you are a fan of horror and haven’t read this book I dare say that you are missing a real treat. I know that may sound somewhat haughty, but if I can’t stand behind my own work and declare that it is good then let’s face it folks. Who can? Pick yourself up a copy of THE EQUINOX, settle back in a comfortable chair and get ready for the ride of your life! This book is a page turner that includes murder, cannibalism, native mysticism, police procedural wrapped up tight in a character driven tale that will take you on the ride of your life.

To my friends at Great Old Ones Publishing. I am honored to be in the company of people who look upon the craft of horror writing with appetite and enthusiasm. To my fellow writers who are looking for a home for their latest novel I invite you to check them out!
Here’s to the projects of 2014.

ᒫᒋᐸᔨᐃᐧᐣ
THE BEGINNING
MJ Preston

Get your copy of THE EQUINOX here

Tuesday, February 4, 2014

Me and Stephen King


I had the oddest dream the other night. I dreamt that I lost control of my "super b tanker" after a car ran a light and I had to lock the brakes up. The big truck, loaded down with 49,000 litres of diesel cut into a jack-knife whipping me completely around and the pup disconnected from my train and took off. When it was over I climbed out of the truck to examine the carnage and too my surprise there was none. The pup was upright and sitting in an empty lot. As I went about recovering the trailer I happened upon a bookstore.

Dreams are funny, causing your attention and priorities to shift crazily. I say this because all my anguish regarding the near miss seemed suddenly unimportant as I entered the bookstore to look around. It was one  of those old havens that you rarely find anymore. A little independent place with old shelves—plaster peeling from the walls—the musty smell of paper permeating in the air; or perhaps it was the radiator. I don't know. I do know that my truck was out on the street and though it was blocking traffic I seemed to not to care as I explored this little shop.

On a worn coffee table there were a dozen or so used books strewn about. There was a Dean Koontz, a Michael Connelly and book by my pal Jim Steel: Amiens: Dawn of Victory.  I recognized that one immediately because I have a signed copy. In the center of these second hands was a recipe card folded in half that read: $4.50 A Real Bargain! The penmanship looked as though it had been scrawled out by a four year-old. I glanced out the window to make sure my rig wasn't on fire, then back down at the books. I was getting ready to pick up the Connelly Book, wondering if it was a Harry Bosch novel, when from behind I heard a voice I recognized.

"There's some real treasures in there," he said and I turned around. It was Stephen King. He was dressed in blue jeans and a loose fitting sweatshirt and his glasses hung over his nose magnifying his strange eyes. "There might even be a McCammon book in there if you're willing to dig."

In the real world I probably would have said. "You're Stephen King, what the fuck are you doing in a little independent book store." But I didn't, because in dreams you are more apt to accept the ridiculous and this was as ridiculous as it got. What I did say was, "You like Robert R McCammon too? That's pretty cool."

"McCammon writes like Pete Townsend plays the guitar," King said. "He's a genius and highly underrated." Shit, he liked THE WHO as well, imagine that. I wondered if he liked Pink Floyd? "I see you had a bit of trouble out there." He was pointing to my rig and smiled.

I gazed out again. There was a cop sizing the truck up. He had a ticket pad in his hand. That was going to cost. I turned back to King and said, "The first book I read by you was Different Seasons, I enjoyed it a lot and it opened up a whole new world for me. I always wanted to be a writer, but reading was hard for me."

King smiled, but said nothing.

So I continued. "I read almost everything you wrote. I liked THE RUNNING MAN and THE LONG WALK. The Bachman Books rocked! In the mid-nineties my wife and I took our kids down to Bangor on a weekend excursion and I parked outside your property for about an hour, but you never came out. I don’t know why I was sitting out there, it wasn’t like I had a book for you to sign.” I paused and rubbed my goatee. That wasn’t quite true. “I guess I wanted to thank you. There was a time when reading was a real chore for me, but your storytelling made it easy. You opened up a door for me and as a result I found other writers that caught my eye. Clancy, McCammon, Barker, Koontz, Harlan Ellison.” I didn’t tell King that I wrote a book, that I had mailed it to his Bangor Office expecting that it would end up in a dumpster or a bargain bin, instead I just said. “I guess I’ll say thanks now.”

Then I put out my hand.

That’s when Stephen frowned and said. “They’re towing your rig away.”

I turned to look out the window and the Cop was now directing a Peterbilt tow truck and it was lifting my rig onto its hook. “Man, the boss is going to be pissed.” I turned back and Stephen King was gone, then I heard the rumble of a diesel engine and darkness enveloped me. When the veil of darkness cleared I found myself waking inside my sleeper, above me the buttoned leather ceiling. Faux leather.

As I lay there in the dark I checked the time, I’d been asleep roughly four hours. I was parked in a scale house outside of Dawson Creek, British Columbia. I had just finished Kings latest book: Doctor Sleep. I suppose that was what conjured the memories. 

“I never got to say thanks,” I mumbled and rolled over.

I guess this will have to do.

 

MJ Preston is the Author of the Horror Novel: THE EQUINOX
His new novel ACADIA EVENT is forecasted for release in 2014
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Monday, December 9, 2013

AN UPDATE ON THE ACADIA EVENT

It was after the release of my debut novel: THE EQUINOX and during my first season as a Winter Road Driver that a concept I was toying with began to come together. Pushing northward across frozen lakes I discussed the concept with my pal Brad and both of us spent hours discussing plot elements and characters. Well, actually, I rambled on and Brad listened politely. When I returned home to Ontario there were two novel ideas and so I wrote two separate prologues and  gave them to the two people whose opinion I value. 

   The first being my wife, Karen. I had to put her first because she's my wife and and I'm a heavy sleeper. Enough said. The second prologue went to Jim Steel. Both prologues opened up on two very separate novel ideas. The one I gave to Karen, simply called: 4,  was a opening to a psychological thriller. The second was a science fiction/horror called: Acadia Event. I planned on writing both of these books, but I wanted to get a feel for which one I should proceed by the reaction I got.

   Jim seemed pretty enthusiastic about ACADIA EVENT while Karen didn't get around to reading 4 until I was on a plane back to Alberta. I attribute that to the fact that she wanted to spend time with me and not my muse. The next day, in an email she told me that I had to write this book. That right from the get go, "4" grabbed her and pulled her in. "Dump that other monster thing your working on," she insisted. "This is the book!" Little did she know that I was already heavily invested in Acadia Event and three chapters had already been emailed out to Jim for review, besides that, I really wasn't in charge anymore. My muse had taken the wheel on this.

    At first I thought Acadia would be a smaller book than Equinox, but as I began to develop characters and find their voices I realized that my initial estimation was wrong. The first draft, which isn't quite done has already surpassed THE EQUINOX in length and unlike it's predecessor won't require the same paring down. This book is a lot tighter and I am happy with its progression, but its a grind pulling days that range between 12 and 16 hours, then finding the ability to open up that door and enter their world. Acadia will be finished at the end of this year, but it won't be ready to go to press until sometime in the Spring of 2014. 
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him into the public. --Winston Churchill 

   Writing a book is a magical endeavor, that is, until you have to abandon the creative process and focus on the mechanics of the story. That is where the real work begins. The line by line grind and polish which is necessary, but nonetheless a labor. So that is where I am with that. My plan is to finish the first draft before the end of the year, let it rest for a short period and go to work on my third novel 4. After a short rest, possibly a month to six weeks, I will go back with fresh eyes and a red pen. Then the real work begins. The format of the book is already in place as is the cover, so its really just about polishing. I am going to put the readied manuscript into the hands of a couple beta readers and once that is done it will be published. I hope those of you waiting for this book will forgive me for the slow down, but before you know it the monster will be flung out into the public.

OTHER ANNOUNCEMENTS AND PROJECTS

   Great Old Ones publishing is launching another anthology and although it is not set in stone yet, I may again be putting together their cover art and possibly contributing a story. The theme this time is creepy crawlies. A subject near and dear to my heart. My how art imitates life. I am reminded of a war I waged with cockroaches when I was the superintendent of a townhouse complex. Man, if only I had my camera back then.

   I am also going to be giving THE EQUINOX a facelift, with a new cover and a table of contents, as well a person of interest has agreed to write a foreword for the newly launched book. 

   So keep an eye out for that.

   Well that sums up, I hope this season finds you in a place with family and friends. Finally, a congratulatory message to both Philip Perron of Dark Discussions Fame and his significant other Joanna on the birth of their daughter Colette. 

All the best
MJ Preston


 

MJ Preston is the Author of the Horror Novel: THE EQUINOX
His new novel ACADIA EVENT is forecasted for release in 2014
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 RATED AS ONE OF THE 
BEST HORROR NOVELS TO HIT BOOKSHELVES IN THE LAST 10 YEARS!!

'The Equinox' is a tour de force of brilliant writing, fast-paced action, and gritty characterisation. 
Get your copy of The Equinox  
Sold in Hardcover and Trade Paperback
             

Sunday, November 10, 2013

We are Writers!


Philip Perron Melissa Gates and DB Poirer
Often misunderstood, sometimes introverted and unbalanced or starkly outgoing and popular. Art is often consumed with gluttony while being minimized as unimportant. Oh the perils of being an artist in such an uncaring and cold world. The truth about art, or the artist at least, is that it is the struggle that makes the art.
Today I sit behind my laptop listening to Tangerine Dream, sipping coffee well past its life cycle that has thickened and pour over the many photos from Anthocon. I should be working on my novel, but I'm distracted... That happens.

In these photos I see typical writers. Pass them on the street and they are just people, no red carpet, no self indulgence, just folks you meet every day. They could be your brother, your father, sister or best friend. They travail over their work, playing out their stories in their minds. These psychological movies envelope their consciousness. What happens in the gray matter is surely only a
mixture of chemicals and synaptic pulses, but to the creator it is orgasmic.

Sorry, couldn't find a more appropriate word. Perhaps that is because it is what it is.
Author Kyle Rader
Orgasmic of an almost sexual nature.

Their struggle often entails a day job, pulling long hours away from their true passion, but necessary to pay the bills. They do not want red carpets or to be one of the beautiful people. Not at all. They just want to share this experience, to tell the tale that unfolds and to release it to the world. Their stories, like children are born and set out onto a world to which they hope they will be embraced, accepted, and even loved.

Today I poured over the many pictures of artists, like myself, who are sharing in a collective birthing of their passion. On one hand I am saddened that I could not share in this event, but that is overshadowed by the deep humbling I feel with a sense of pride at what is being displayed.

Sometimes the road is hard and it can be a struggle to carry on, but to see this... This fruition of hard work, that is the pay-off. 
I am in awe to be in your company and say with great glee.

We are Writers...


H.P. Lovecraft, T.G. Arsenault, Michael Bailey, Eric S. Brown, Judi Calhoun, Tracy L. Carbone, Karen Dent, Roxanne Dent, Jonathan Dubey, Allen Dusk, Melissa Gates, Marianne Halbert, David Hayes, Michael Hughes, Joe Knetter, Esther S. Leiper-Estabrooks, John McIlveen, Gregory L. Norris, Philip C. Perron, Kristi Petersen Schoonover, D. B. Poirier, James Pratt, M. J. Preston, Kyle Rader, Suzanne Robb, Gord Rollo, Lawrence Santoro, Brett A. Savory, B.E. Scully, Henry Snider, and Erin Thorne.

Sunday, November 3, 2013

Jars, Mummies and Hidden Secrets

Some months back I was approached by Dark Discussions host-founder Philip Perron about doing cover art and contributing a story for an upcoming anthology called Canopic Jars: Tales of Mummies and Mummification. Actually, that rather lengthy title hadn't been thought up yet. Phil just said that the theme was Canopic Jars and or Mummies, and maybe even some mummification. Initially I agreed to the cover art, but didn't commit to a story because I am hip deep in writing my new book and didn't think I could afford the time or distraction. Besides, what could I write about mummies that hadn't already been written? So I agreed to support the project artistically, which was being spearheaded by Great Old Ones Publishing and Phil suddenly became my conduit to two other gentlemen: DB Poirier and Gregory L. Norris.

     During my off time I did a couple of conceptual pieces, that I bounced off to Phil, who in turn bounced to Poirier and Norris. The initial drawings were rough, but as time went on they began to come together and suddenly a little piece of magic occurred. Art is a medium I often use when I write, but it is not the only medium. Either through art or photography or even music my muse  sometimes whispers and when this happens, it pays to listen. In this case, the cover I was putting together began to awaken a story that might be suitable for the Mummy Jar Anthology.

     I sent off a new cover and began thinking about my first book THE EQUINOX, but more specifically a character from the book. A Chicago Police Detective named Sean Woodman who made a brief appearance in the beginning and near the end of that book as a supporting character. I liked Sean Woodman, he was smart, tough and he would never find resolution to a string of serial murders that occurred on his watch. Woodman simply came into the story early on and turned up later on when another string of bizarre killings took place in a little town called Thomasville after the Chief of Police contacted him about a possible connection.

    I always wondered what had become of Woodman and suddenly as I stared into the piece which would become the front cover and another piece that would end up as the rear cover, my muse didn't just whisper, but began to rant. "Take him back to the Run-off. Run-off 31!" And so my fingers did their ritualistic drunken dance n the keyboard as the story spilled out and onto the page. I was done the piece in about three hours. I toiled over it for a day or two. Sent it to Writer Pal, R. James Steel. He sent it back and I gave it another going over. Then I forwarded it onto Phil, who in turn took it to the boys and they accepted it.

     Along with my piece there are also stories submitted by Gord Rollo, B.E. Scully some guy named HP Lovecraft and many many more. I have had a chance to read a few of these stories and have to say that there is some real treasures in this book. Who knew that there could be so many interesting variations on the Mummy tale.  Go out and grab a copy of this book, if not to read something by me, but to get a candy dish of different tales from which you can sample one at a time or gorge yourself completely. Either way, the fix will be a rush so check out the link at the end of this post.

      With that in mind, I'm going to borrow from B.E. Scully and post an excerpt from my story Run-off 31.  I say borrow, because Scully did the same thing in her blog, so I am openly admitting that this is not an original idea. Without further adieu here is an excerpt from Canopic Jars: Tales of Mummies and Mummification.
 


Run-off 31
by MJ Preston


1
     The bodies started turning up in late July. Before long, police began to think that this was not the work of one serial killer, but two, possibly even three. The only flaw in this thinking lay in the fact that every victim had been left with an identical incision from solar plexus to belly button. Some of the detectives called them the 'X Killings', because carved into each victims belly was an X that was not a symbol, but the end result of evisceration. The reason they speculated the killings couldn't possibly be committed by one perpetrator, the sheer number of victims. To date there were 44, and the dead weren't more than a day or two old when they began turning up. Now, into the end of August, meant only one thing, the killer or killers, were claiming a victim a day on average, with the odd double.

     Sean Woodman was not assigned to the case, he wasn't even a cop anymore, but he followed closely through the papers. It reminded of a case he'd worked back in his days as a Chicago Police Detective. A case that was never closed. He'd been young and cocky back then, but along with his damn-the-torpedoes attitude, he also had a talent for seeing things others missed. And with the exception of that one unsolved case, he'd cleared a lot of murders. Those cleared cases garnished a respect which would eventually pave the way to a door plate which read: Deputy Chief of Police. That was the end of the line for Woodman. He wasn't a cop anymore, just a PR man who practiced politics with the best of them. Truth was, he hated it. He missed the smell of an unsolved case and made it his business to poke his head in on a task force or two to get a whiff of that scent.

     At first they thought he was some crazy micro-manager from upstairs. But Woodman proved a great help to his fellow officers; and even better, he took zero credit. Word got around, and after a while the task force cops to start coming to him for insight. 

     Chief Jorgenson didn't like it when Woodman got down in the trenches with the troops. Woodman thought that dislike was born out of resent. Jorgenson had been an career pencil pusher and had no cred with the cops he commanded. Although Jorgenson disapproved, there was no real reason to put a halt to Woodman's actions. He balanced his position as Deputy Chief with an occasional task force consultation quite well. When a case cleared, the Chief did what any politician would do. He held a press conference – congratulated his officers, and basked unabashedly in their success.

     Then the unthinkable happened to Woodman. The unthinkable being, a car accident that resulted in the death of his wife Jesse. Then there was the trace amounts of alcohol in his bloodstream that hardly registered .04 on the breathalyzer. He hadn't blown enough to be charged, he wasn't legally drunk, but Jesse was gone and when word got out, the media hooked onto him like a pariah. They dogged him about the accident, and about how much he'd drank after someone leaked the blood alcohol tests. 

     His career ended in much the same way Jesse's life ended. Abrupt and without mercy. He found himself standing before the Mayor and Chief Jorgenson. On either side, like book ends, a Public Relations Bitch and the City Lawyer. Set neatly on a table before them, a stack of paper roughly an inch and a half thick. 

     That's the “The Big Fuck You”, he thought. Somewhere through that he heard the Mayor offering words of regret, and there was even a round of condolence. But was it was hollow, the papers on that table spoke more about what was at play than these four assholes put together. In the end he did the only thing he could do. He signed his resignation, took a handsome buyout and left them to pat each other on the back. That was the end of Sean Woodman's career in the Chicago Police Department. And though he was gone, he never forgot that one big case that got away. The one with the Indian named Blackbird and the bodies of women they found in the Chicago sewers. They had also been eviscerated, but the belly's of those girls had been torn open. They called the case Little Big Horn, because on the evening of the last murder there had been an exchange of fire which included the use of a cross bow. Considering that Daniel Blackbird had been of Native descent and was the one firing the arrows, the name stuck.  

     Scott Emmett showed up on his doorstep with a case file thicker than a city phone book. He liked Emmett, but he was adamant that his days as a cop were over. Emmett was the son-in- law of his partner and best friend, Brad Rosedale. Coincidentally, Rosedale had been a part of that forgotten case as well. Unlike Woodman, Brad moved on. In fact he moved all the way on down to Tennessee; somewhere between Nashville and Memphis with his third wife. 

      “I can't do this Scott. In fact if Jorgenson found out you were on my doorstep you could find yourself in deep shit. You could lose your job.”

      “Well, normally I'd say fuck Jorgenson, but to be honest, he sanctioned this visit,” Emmett replied. 
     “Don Jorgenson told you to come see me?”

     “Yeah.”

     Woodman laughed, not because it was funny, but because he couldn't believe the bastard would have the nerve. “Nothing personal Scott, but you can tell Jorgenson to could go fuck himself.”

      “We need your help Sean.”

      “Why should I care? I'm not a cop anymore.”

      “The last one was a 10 year-old girl.” 
      “Jesus Christ.” Woodman sighed and pushed open the screen door. 


***

END EXCERPT

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 If you want to check out this story and others, grab yourself a copy of the book Canopic Jars: Tales of Mummies and Mummification on Amazon.com